Rooster in the Hen House

Spring is a busy time on most farms. It’s crazy busy on mine. Shearing the llamas and alpacas, trying to get the garden in order and planted, and getting the barn ready for hot weather take a lot of time. Every year I say I’ll simplify or get a head start and every year things are still crazy.

This year I managed to add another layer of crazy. I decided to get a few chicks to make my flock a little bigger. I thoroughly enjoy my chickens, I wanted more eggs, and more hens keep my rooster busier. So I picked up five chicks from our local feed store; 1 auracana, and 4 black jersey giants. Somewhere around 3 or 4 weeks I noticed that one of the JG hens had a bigger comb than the others. It was also much taller than the others. Two weeks later I saw wattles growing in. I couldn’t ignore it or pretend any more. She was a he.

Which one is the rooster? Easy to see!

This little rooster, now known as Ricardo Montalban, cannot live with my Swedish Flowers hens and rooster. For a whole variety of reasons, he and the 3 JG hens will have their own yarn and coop. And that’s where more of the crazy business comes in. After extensive searching for another well made chicken coop and finding only very expensive or rather poorly made coops, I decided to build one myself.

For as long as I can remember, I have wanted to learn how to build. It’s easy to come up with reasons why I couldn’t build a coop but I was determined to ignore all of those reasons and give this a try. I looked at lots of on-line coop plans and couldn’t find any that I wanted to attempt. I finally settled on an easy design I found in a book, Reinventing the Chicken Coop, that I’d checked out of the library. I copied the plans for the A-Frame Coop and bought my supplies. Last weekend I finished cutting and assembling the frame.

I’ve had to go back a fix a few mistakes, and this is a slow process, but I’m making progress. It’s great fun to learn new skills and I am very proud of what I’ve created so far. Today will be dedicated to cutting, fitting, and attaching the sides, doors, and windows. More later…

 

 

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Extremely Slow Fashion

The slow fashion movement has interested me for years. The philosophy behind it, understanding the origins and process behind your clothing and choosing those pieces least harmful to people, animals, and the planet, falls right into my own mission. It was this philosophy that, as a novice knitter, led me to learn how to spin fleece into yarn and eventually wind up with my own fiber-producing herd of llamas and alpacas.

These days knitting and crochet have become very popular and there are countless independent brands producing yarns from ethically sourced fleece and fiber. Thanks to sites like Etsy you can buy raw wool or carded/combed fleece directly from farms and other small companies. (Including my own!) The growth of DIY fiber arts and crafts has been another reflection of the slow fashion movement. What is slower and more worthwhile than spinning your own yarn and knitting a lovely sweater to your own specifications?

But, my journey through slow fashion has hit a major snag. And that is my current obsession with sewing. The way that we, as a global industry, produce fabric is the absolute opposite of earth friendly. For example, if you go to the average fabric store in any American city, you find lots of lovely fabric, and usually a sticker or note that says “made in America” or “made in China” but absolutely no information about the source of the fiber and where it was processed.

For example, you may find a nice cotton that says it was made in America. Great. But you don’t get the whole story. That cotton may have been grown in Texas, sent to China for processing, India for spinning, sent to Spain for dyeing, then sent back to the US for sale. That is most certainly not a small carbon footprint! If the fabric is to be used in the commercial garment trade it would have even more of a journey as it would probably end up someplace like Indonesia for cutting and sewing. For more about that, you can read this BBC article that was published 2 days ago.

If you were able to obtain the supply chain involved in the creation of your fabric, there are still big pieces missing. How was the fiber farmed? Was there heavy pesticide use, were the sheep treated well, were the workers paid a fair wage and treated decently? This kind of transparency is not only lacking, it is most likely completely impractical in our current global system of cloth production.

I’ve been researching this topic for months now and I’m no closer to finding a good solution. I could do what I did way back when I couldn’t find the yarn that I wanted. I learned to make it myself. I am a weaver, though I haven’t touched my loom in several years. And I do have plenty of fleece from the llamas and alpacas (and local sheep!) that would make lovely fabric. Doing it all myself would most definitely be slow! I’ll be exploring more options in the coming months and will record my ideas, experiments, and analysis here.

Most of them, anyway.

My Current Obsession: Sewing

I’ve fallen in love with my sewing machine. It’s a Singer Simple model that one of my sisters gave me for Christmas several years ago. I don’t use it often enough. It comes out every now and again to hem things or sew up simple projects. Curtains, kid’s dress up costumes, and small uncomplicated stuffed animals have been the usual fare.

A couple of weeks ago, after reading a haunting article about a sea creature suffering because of plastic bags in the ocean, I decided to stop using plastic bag as much as possible. I remembered reading in various places that you can easily make old polypropylene feed bags into totes. And I have plenty of feed bags! I rarely throw them away because I feel so guilty about that much plastic going into the landfill. So, I fired up the googles and looked up a few tutorials, taking the best bits of each one and coming up with a plan.

I spent the rest of the afternoon cleaning, cutting, and sewing a tote bag made from a chicken feed bag. It was easier than I expected and lots of fun. The finished bag has been in almost constant use and holds up beautifully despite the fact that I used regular white polyester thread.

chickenbag

In the next few days I made 2 more bags and I’m sure there will be more in the future. And I did buy heavy duty thread. I’ve also started working on clothing. The last time I tried to sew clothes was with my grandmother when I was 8 years old or so. Like the bags, the whole process is great fun. I’m currently working on a couple of shirts. More on those later…

Happy New Year!

And to go along with the new year, I have several pounds of newly boxed fleece, ready to be shipped out to the mill.  No matter how many times I do this, it gives me a fun little feeling of excitement and anticipation.

In the box is the gorgeous fleece of my two youngest alpacas, Nate and Kwame. It always makes me laugh to see the difference in volume between these two. 5 pounds of Kwame’s suri fleece looks quite small compared to 3 pounds of Nate’s huacaya fluff.

rawfleece

This batch will be carded into beautiful roving and will be returned in approximately 3  months. As soon as I have it back it will be available for purchase on my Etsy store.

Well, minus the few ounces that I may steal for my own spinning and/or felting. It will be very hard to resist all of that pretty, shiny softness.

Foxglove Tea

Yes, I know that digitalis purpurea is poisonous. The tea I made from spent foxglove blossoms was not for drinking but for dyeing. Dyeing, not dying.  Digitalis has to be ingested in a toxic amount in order to do damage. I’d only dyed a small sample skein but I disposed of the 0.2 ounces of blossoms carefully. No sense taking any chances. Once the dye bath was exhausted I carefully poured out the remaining contents in spots at the back of the garden. 

I’ve been searching for a plant-based source of green dye that doesn’t require the 2-step yellow-dipped-in-indigo method. It’s funny that in a world filled with glorious greens, few plants give a light-fast green shade in the dyepot. I love the indigo produced greens but I wanted something quicker for a tapestry I’ve been contemplating. I was inspired to try another possible green source a few days ago. I saw an old blog post where a dyer was showing off a beautiful pea green skein of wool produced by foxgloves with alum mordant.

Well, conveniently, there were several foxglove plants in our garden who had flopped over in the recent rain and were shedding most of their flowers. I went out Friday evening and gathered as many flowers as I could. I passed over the completely brown and slimy ones and ended up with a handful of mostly purple blossoms. A 0.2 ounce handful, as I mentioned before. And, just as conveniently, I had a tiny 0.2 ounce skein of white babydoll southdown yarn that was ready to go into the dyepot.

With such a small amount there was no sense using any of my dye pots. They’re far too big and I wanted to do this quickly. So I found a plastic jar with a lid and put the kettle on to boil. The foxglove blossoms went into the jar and I poured enough boiling water over them to cover both flowers and yarn. A green-gold colored liquid immediately began to steep so I quickly added a dash of alum and the sample skein. I left the jar on my worktable and didn’t check on it until Saturday evening.

fgyarn1

No green, but it did yield a clear, lovely yellow. It’s beautiful, but not what I was hoping for.  Perhaps it’s because I did two considerably different things from the original dyer. I used equal weight yarn and dyestuff while she used something like a 5 to 1 ratio. She also simmered her yarn in the pot for an hour while I merely made tea and let it cool for 24 hours. And then there’s the fact that our well water is somewhat alkaline.  I may try this experiment again later in the summer when we have a second flush of foxglove blooms. I’ll use more blossoms and check/adjust the dyebath for pH.

For now, I have another source of very pretty yellow dye. The search for one-pot green continues…

 

 

 

 

 

 

 

 

Silent Feather

Yesterday we had to say goodbye to a very special llama. Silent came to Athlone Farm in 2007 as part of a rescue. She was well into her teens then and had the beginnings of arthritis. She was a lovely gray color, even prettier after I’d shorn two or three years worth of matted hair off of her.

As she and her companions began to feel safe, Silent revealed her feisty, no-nonsense personality and became herd leader. She was very good at her job. Her favorite things were a good roll in the dust patch, followed by a long sunbath. And the occasional alfalfa treat in winter time.

Silent was with us for nine years.  I am thankful to have had the chance to care for her. She always had her companions, including her sister and her daughter, around her. She always had a warm barn to sleep in, plenty of grass and nutritious food, and good vet care. We love her and miss her already.  RIP, my beautiful girl.

 

This Week: Carded Batts

It has been one of those weeks where I’m too busy to sit down and write. I’m finishing the last of the shearing, trying to get the grass and garden under control, and carding all of the wool I’ve been washing. Instead of a long post I’m going to share a few photos of carded and blended batts, fresh from the drumcarder.